Author: Betsie

  • Beyond the Gags: The Real Conflicts in Blazing Saddles

    Frontier Friction: Power, Progress, and Perception in Blazing Saddles

    Mel Brooks’ 1974 classic Blazing Saddles is often remembered for its audacity and sharp humor, but beyond the laughs lies a satirical examination of the foundational tensions in the American West. The film cleverly navigates several layers of conflict that still resonate, particularly those involving law, expansion, authority, and the portrayal of women.

    Lawlessness and the Need for Order

    At its core, Blazing Saddles is a Western about a town on the brink of chaos. Rock Ridge is a dusty settlement threatened by outlaws and greedy politicians. With no strong leadership, the town becomes an easy target for exploitation and violence. The appointment of a new sheriff, although unconventional, underlines a desperate need: frontier towns couldn’t survive without some form of law enforcement. The townspeople’s initial resistance to his authority gives way to a realization—without structure, the Wild West remains just that: wild and vulnerable.

    The Iron Horse and the Pulse of Progress

    The film frequently returns to the conflict around the railroad—a symbol of progress, commerce, and manifest destiny. The push to reroute the railroad through Rock Ridge is not about transportation alone. It’s about power, profit, and who controls the future. Hedley Lamarr, the corrupt attorney general, sees the railroad as a means to riches, regardless of the cost to the townspeople. In contrast, characters like Taggart represent brute force in service of expansion, with little concern for the communities they displace. The town’s struggle becomes a microcosm of the broader national tension: balancing development with dignity.

    Government Greed and Corruption

    Hedley Lamarr is perhaps the most overt embodiment of governmental corruption in Blazing Saddles. Rather than serve the public interest, Lamarr manipulates policies and people alike to serve his own ends. He’s not just a villain in a black hat—he’s a critique of opportunism in public office. The fact that the state government goes along with his schemes, only stepping in when things spiral out of control, speaks volumes about the gaps between governance and accountability in the film’s satirical version of the frontier.

    Women in the Shadows—or the Spotlight?

    Then there’s Lili Von Shtupp, played with delightful melodrama by Madeline Kahn. Her character is a classic “saloon singer”—the sort of woman westerns often typecast as either seductresses or broken-hearted side characters. Meanwhile, the only other women mentioned in Rock Ridge are referred to as “school teachers” or “church ladies”—again, limited roles with little nuance. Blazing Saddles pokes fun at this binary, offering a critique of how frontier women are written into stories either as saints or sinners, with no room for complexity. Lili, while exaggerated, is aware of the role she plays and often uses it to her advantage, mocking the very stereotype she inhabits.


    Blazing Saddles uses parody to explore some deeply rooted tensions of the American West—law versus lawlessness, progress versus preservation, and power versus principle. Though it wears the mask of absurdity, the conflicts it tackles are real and recurring. The film’s genius lies in its ability to make audiences laugh while holding a mirror to the flawed myths of western expansion and governance.

  • A Misjudged Moor

    The wind picked up sometime after their second cup of tea, rattling the shutters in fits, as if it too wished to join the conversation. Jane had taken to mending a glove by the hearth, while Charlotte and Wilkie lingered near the bookshelf, the air between them steadily thickening with literary opinion.

    “You know,” Wilkie said, sipping loudly, “I’ve been meaning to say, while I have the ear of thee Charlotte Brontë, there’s a matter I’ve long pondered.”

    Charlotte, cautious, tilted her head. “Oh?”

    Wuthering Heights,” he began, with a sniff as though even the title gave him indigestion. “Now, there’s a book that could have done with… supervision.”

    Charlotte blinked once. “Pardon me?”

    “Brilliantly atmospheric, yes—I’ll grant that. And a certain rugged appeal. But I daresay the structure is erratic, the characters mad beyond sympathy, and the narrative practically eats its own tail.”

    Jane, sewing, gave a tiny cough that sounded suspiciously like a stifled laugh.

    Wilkie continued, oblivious. “Heathcliff is all brooding snarl and no justification, Catherine is emotionally feral, and don’t get me started on the endless generational recursion by the time I sorted out who was haunting whom, I needed a map and a séance.”

    Charlotte said nothing, her face a perfect mask of still civility. She stared into her teacup like it might prevent violence.

    “Don’t misunderstand me,” Wilkie went on, plucking a biscuit with cheerful ignorance, “There’s promise in it. Real promise. But what it needed. What it cried out for was a steady editorial hand. Yours, perhaps! You, Miss Brontë, you know restraint. You wouldn’t let a ghost story run feral across the page like a moor pony with a fever.”

    Jane dropped her glove in her lap.

    Charlotte finally set down her cup and turned to face him.

    “Mr. Collins,” she said, her voice remarkably even, “do you make a habit of giving unsolicited criticism to authors in their own homes?”

    Wilkie hesitated, then smiled, as if she’d paid him a compliment. “Only when I feel I might be saving a future classic from its worst impulses.”

    “I see,” Charlotte said.

    “And surely you agree with me?” he said, genuinely eager. “It’s too much, that book. All that passion! Like a thunderstorm married a fever dream.”

    Charlotte nodded slowly. “Yes, Mr. Collins. And had I written it, I daresay I’d be wounded.”

    Wilkie blinked. “Had you? I thought…”

    “You thought incorrectly,” Charlotte said, standing now. Her small stature had never seemed quite so formidable. “My sister Emily wrote Wuthering Heights. She died of tuberculosis. Shortly after it was published.”

    Wilkie’s mouth opened. And closed. Then opened again.

    “I… good heavens… I didn’t…”

    Jane, now calmly threading her needle again, said, “You may want to check who you’re insulting next time, Mr. Collins. Especially when ghosts are involved.”

    Charlotte folded her hands. “I must say, Mr. Collins, I admire your courage. It takes a certain fortitude to criticize the dead to her living kin—under their roof—while eating their biscuits.”

    Wilkie looked down at his half-eaten biscuit as though it had betrayed him.

    “I shall… offer my regrets. And my compliments to the biscuit-maker.”

    “That,” Jane said, without looking up, “was also Emily.”

    Wilkie’s eyes widened in horror.

    Charlotte relented, only slightly. “You’re safe, sir. I bake. Emily haunts.”

    “Good lord,” Wilkie muttered, finishing his biscuit anyway.

    Outside, the wind howled a little louder, and a shutter creaked ominously. Wilkie, looking distinctly paler, glanced at the darkened hallway behind them.

    “Forgive me,” he said. “I seem to have developed a sudden and completely irrational fear of narrow staircases.”

    Jane smiled. “We all do, in time.”

    The wind had barely stopped rattling when the door burst open with the force of a cannon shot.

    “Ladies!” cried Samuel Clemens, wild-eyed and snow-dusted, as he staggered into the parlor like a man chased by revelation, or a bear.

    Wilkie Collins let out a startled yelp and nearly dropped his teacup.

    Jane stood up sharply. “Mr. Clemens! What on earth?”

    “No time!” Twain barked, slamming the door behind him with a thud that shook the panes. He was panting, one glove missing, scarf askew, hair in mutinous rebellion.

    Charlotte frowned. “Are you pursued?”

    Twain blinked once, then pointed a trembling finger toward the hearth.

    “It’s happening,” he said, voice low and hoarse. “It’s started. I… I don’t even know how to begin…”

    “What’s started?” Jane demanded.

    Twain opened his mouth, closed it, and looked around at them all as if measuring their fortitude.

    And then he said:

    “You may want to sit down.”

  • Calvin Coolidge and the Fourth of July: The President Who Loved America’s Birthday

    When you think of the Fourth of July, you probably imagine fireworks, parades, barbecues, and the joyful celebration of America’s independence. But beyond the festivities, the holiday carries deep meaning tied to the nation’s founding principles of liberty, self-governance, and patriotism. One U.S. president who had a profound connection to the Fourth of July was Calvin Coolidge, America’s 30th president, often remembered as “Silent Cal” for his reserved personality.

    Despite his quiet nature, Coolidge was a passionate believer in the ideals that the Fourth of July represents. He viewed Independence Day not just as a day of celebration, but as a solemn reminder of the sacrifices made by the Founding Fathers and a call to preserve those freedoms for future generations.

    Coolidge’s Patriotism and the Fourth of July

    Coolidge’s presidency (1923–1929) came during the “Roaring Twenties,” a time of great change and modernization in the United States. Yet, amidst all the social and technological shifts, Coolidge remained grounded in a deep respect for America’s constitutional foundations. He often emphasized the importance of individual liberty, civic responsibility, and the rule of law — core values that the Fourth of July commemorates.

    In his 1926 Independence Day address, Coolidge said:

    “The American ideal has been that the individual man shall be left free to develop his own capacity, and to do this through the exercise of his own judgment.”

    This quote perfectly encapsulates how Coolidge saw the holiday: not just as a day off, but as a reaffirmation of the freedoms that allow individuals to pursue their dreams and contribute to the nation.

    Celebrating the Fourth in the Coolidge White House

    Unlike some presidents who hosted lavish White House parties, Coolidge’s celebrations were more understated, reflecting his reserved personality. However, he consistently used the holiday as a platform to remind Americans of their shared values. His speeches during Independence Day were often delivered with a tone of solemn pride, urging citizens to remember the principles of the Declaration of Independence.

    Coolidge famously said:

    “Liberty must at all hazards be supported. We are in the very midst of a struggle for liberty.”

    These words, though spoken nearly a century ago, still resonate today, reminding us that freedom requires vigilance and active participation.

    Coolidge’s Vision for America’s Future

    Coolidge believed that America’s strength came from the character and industriousness of its people, inspired by the freedoms enshrined on the Fourth of July. He saw patriotism not as mere celebration but as responsibility: to honor the sacrifices of the past by living lives of integrity and service.

    In his 1924 speech commemorating the nation’s founding, Coolidge said:

    “America needs to be made safe for democracy, and the best way to do that is for every citizen to realize the importance of the liberty he enjoys and the duty he owes to preserve it.”

    His vision remains a powerful call to action today, encouraging each of us to reflect on what the Fourth of July truly means.


    Final Thoughts

    Calvin Coolidge may have been “Silent Cal” in conversation, but his love for America’s ideals and Independence Day was loud and clear in his words and actions. This Fourth of July, as you enjoy the fireworks and festivities, take a moment to remember the deeper meaning of the holiday — the enduring freedoms and responsibilities that presidents like Coolidge championed. It’s a celebration of the past, a reminder for the present, and a commitment to the future.

    Fun Calvin Coolidge and Fourth of July Trivia

    • Coolidge’s Birth on July 4th: Calvin Coolidge is one of only three U.S. presidents born on the Fourth of July (along with Thomas Jefferson and John Adams), which added a special personal connection to the holiday.
    • “Silent Cal” Loved Fireworks: Despite his reserved public persona, Coolidge enjoyed fireworks displays and often attended Fourth of July celebrations with his family in Northampton, Massachusetts.
    • Coolidge’s Radio Address: In 1927, Coolidge gave a notable Fourth of July radio address, one of the early uses of radio by a president to reach the American people with patriotic messages.
    • A Toast to America: At one White House celebration, Coolidge toasted the country by raising a glass to “the land of the free and the home of the brave,” a phrase that encapsulates his vision of American identity.
    • Coolidge’s Favorite Quote: He often referenced the Declaration of Independence, famously saying, “The foundations of our society and our government rest so much on the teachings of the Bible that it would be difficult to support them if faith in these teachings would cease to be practically universal.” This shows his belief in moral foundations underlying liberty.

    Suggested Reading List

    1. “Calvin Coolidge: The Quiet President” by John A. Gable
      A comprehensive biography that delves into Coolidge’s life, presidency, and his views on American values and patriotism.
    2. “Silent Cal: The Personal and Political Life of Calvin Coolidge” by Robert Sobel
      This book explores Coolidge’s character and leadership style, shedding light on his quiet yet profound patriotism.
    3. “The Autobiography of Calvin Coolidge”
      Written by Coolidge himself, this autobiography offers firsthand insight into his thoughts on America, governance, and the meaning of freedom.
    4. “State of The Union Addresses” by Calvin Coolidge

  • Of Apparitions and Plot Twists

    Of Apparitions and Plot Twists

    Massachusetts 1866

    If you are holding this curious volume in your hands, congratulations: you’ve stumbled upon something equal parts improbable and delightful. A sort of literary ghost story, minus the ectoplasm and plus a good deal more sarcasm.

    Now, I’ll be the first to admit I never expected to be the man writing a foreword to a joint chronicle by Miss Jane Austen and Miss Charlotte Brontë—two women who, by rights, ought to have remained politely silent in the annals of history, given the dates printed next to their deaths. But history, like art, has a habit of misbehaving. And so, somehow, they are not only alive but living together in a snow-covered Massachusetts town, where the tea is strong, the grammar stronger, and the opinions stronger still.

    Reading their pages, one quickly learns that Miss Austen’s wit can still slice the bark off a birch tree at ten paces, and Miss Brontë’s scowl can make a man forget his Christian name. What’s more, they are grappling with a strange and wonderful affliction: America. Or, more precisely, American-ness—the informal talk, the muddy roads, the unsettling cheerfulness of strangers, and the creeping infection of slang into the prose of very proper Englishwomen.

    It is a rare thing to witness two minds of such caliber batting the world about like a shuttlecock. Rarer still when one of those minds begins to wonder aloud whether she’s begun to sound like me. I can assure you, gentle reader, that is both a compliment and a confession.

    So here it is: the laughter, the quarrels, the long walks into town. A chronicle of cohabitation written in the margins of time. And if I’ve come off looking a bit foolish in the process—well, I had it coming.

    Sincerely, Samuel Langhorne Clemens
    Hartford, Connecticut, 1867

    Back at the cottage, Jane and Charlotte read over Samuel’s introduction again, now bound at the front of the first galley proofs of their memoir. Charlotte made several scoffing noises, and Jane laughed until she had to set her tea down.

    “He is either brilliant or completely irredeemable,” Charlotte declared.

    “And you don’t think the two can coexist?”

    Before Charlotte could answer, a knock rattled the front door.

    Jane stood, smoothing her skirt. “I’m not expecting anyone.”

    Charlotte followed her to the door, both curious and mildly alarmed.

    When Jane opened it, a sharp-eyed man in a cravat and traveling cloak stood on their porch, half-snowed and entirely windblown.

    “Ladies,” he said, with a courteous nod. “Forgive the intrusion, but I believe I’ve found exactly the ghosts I’m looking for.”

    “Pardon?” Charlotte blinked.

    “Wilkie Collins,” he said. “Author, traveler, enthusiast of the inexplicable. I read about English ghosts living in a Massachusetts village and thought: either this is a hoax or my next novel.”

    Jane stepped aside, bemused. “Do come in, Mr. Collins.”

    As he entered and shed his coat, he looked about the room like a detective at a crime scene. “Marvelous. You do look spectral in this lighting. Might I impose upon you for guidance? I’m planning a new mystery—working title, The Moonstone—and I confess I need a touch more… gothic.”

    Charlotte narrowed her eyes. “You wrote The Woman in White.”

    “Guilty.”

    “It kept me awake.”

    “Then I’m flattered.”

    Jane gestured to the hearth. “Sit. Warm yourself. And tell us—what exactly did you hear about us in London?”

    Collins grinned. “Only that Miss Austen had returned from the dead, and Miss Brontë had followed her across the Atlantic. I had to see if it was true.”

    Charlotte muttered, “You could have written.”

    “Where’s the suspense in that?”

    They sat by the fire, a new kettle set to boil. Another voice, another pen, another improbable chapter in the strange, shared tale of authors who simply refused to stay buried.

    As the fire crackled and Wilkie removed his gloves with a flourish, Jane rose from her chair.

    “I’ll see to the tea,” she said, brushing her hands down the front of her apron. “Charlotte, do keep Mr. Collins company. Try not to haunt him.”

    With that, she vanished into the kitchen, leaving the parlor in flickering warmth and curiosity.

    Wilkie leaned forward with theatrical intensity. “Miss Brontë, I must tell you about The Moonstone. It concerns a cursed diamond, stolen from an Indian shrine and brought—foolishly—into an English country estate.”

    Charlotte nodded slowly. “Stolen artifacts, colonial guilt, family secrets. A solid beginning.”

    “Indeed,” Wilkie beamed. “There’s an opium addict. A puritan housemaid with a spiritual superiority complex. And a butler who loves Robinson Crusoe so dearly he consults it as a moral compass.”

    Charlotte’s eyes widened, then narrowed. “That borders on parody.”

    “Parody dances awfully close to truth, doesn’t it?”

    She tilted her head. “Does the moonstone do anything? Glow? Whisper? Possess house pets?”

    “No,” he said, almost proudly. “It just… is. Heavy with history. Still. Cold. A weight no one quite knows how to carry.”

    Charlotte sat back, considering. “Then give it atmosphere. The house must creak. The portraits must leer. And for heaven’s sake, give someone a dream they can’t quite shake, one that smells faintly of sandalwood and guilt.”

    Wilkie’s eyes lit up. “Yes, yes—exactly that. You see, Miss Brontë, I knew you’d understand.”

    “And the diamond,” she added, tapping her teacup with one finger. “Don’t let it sit idle. Let it judge.”

    Wilkie stared. “Let it… judge?”

    “Like a ghost in mineral form.”

    From the kitchen, Jane called, “That’s precisely the sort of sentence I’m going to carve into the biscuit tin.”

    Charlotte turned toward the door. “We’re discussing literature, not refreshments!”

    “And I,” Jane replied cheerily, “am saving you from putting a vengeful gemstone in someone’s porridge.”

    Wilkie laughed heartily. “I must say, your domestic arrangement is far more haunted than I expected. I feel I’ve walked into a séance run by two schoolmistresses.”

    Charlotte raised a brow. “We’re better than a séance. We finish the stories afterward.”

    He nodded, solemn. “That’s the best kind of haunting.”

    The kettle shrieked in the next room. Jane returned moments later with a tray of steaming cups, which she passed around like an officiant at some sacred rite.

    And as the wind whispered around the corners of the little Massachusetts cottage, three literary souls sat sipping tea, plotting mysteries, and warming their hands by a fire that never quite went out.

  • Sweet Memories: Swedish Desserts from My Childhood

    Some flavors stay with us, woven into the fabric of our memories — not just for how they tasted, but for where we were and who we were with. The Swedish desserts of my childhood were like that. Whether at my mom’s restaurant or during the Summer Solstice festival, these treats marked moments of joy, tradition, and togetherness. Each one has a story.

    Swedish Tea Ring: A Gift and a Gathering

    The Swedish Tea Ring was a familiar sight at family get-togethers — usually brought by an aunt or a kind neighbor wrapped in foil and warm from the oven. Its golden spiral of cinnamon, sugar, and sliced almonds was always a welcome addition to the table. I remember how we’d pull apart pieces with our hands, each swirl soft and sweet. It wasn’t something my mom served at the restaurant — it was more personal, a dessert passed around in kitchens and living rooms with coffee and conversation.

    Rusks: All About the Flavor

    Rusks were always around — crunchy, light, and subtly spiced. I never dipped them in warm milk like some do; I just loved the flavor exactly as it was. That hint of cardamom, the gentle sweetness — they were the kind of treat I could nibble on any time, whether at home or sneaking one off a tray at the restaurant. Simple, but unforgettable.

    Almond Cake: A Solstice Festival Favorite

    If there was one dessert that truly belonged to the Summer Solstice festival, it was almond cake. Baked in long pans or molded in rings, dusted with powdered sugar, and sliced thin — it always felt like the essence of Swedish summer. The almond flavor was rich but never overpowering, and its dense, moist texture held up beautifully even on a warm day spent dancing around the maypole. For me, the Solstice wasn’t complete without it.

    Rosettes: Crisp Celebration

    Rosettes were pure celebration — delicate, crisp, and lightly sweet, like little edible snowflakes kissed with powdered sugar. Watching them sizzle into shape was half the fun. These only came out for special occasions, and the Summer Solstice was the biggest of them all. I’d grab one and run off to play, sugar dust clinging to my fingers and cheeks, the long daylight stretching on forever.

    Ostkaka: Honorable Mention

    I never really liked ostkaka (Swedish cheesecake) as a kid. Its soft, custardy texture wasn’t my thing, but it was always around — someone always brought one. My daughter, though, absolutely loved it. She’d eat it warm with lingonberries and cream, smiling with every bite. It’s funny how tastes differ across generations. I might not have loved it, but watching her enjoy it gave it a new place in my heart.


    These desserts aren’t just treats — they’re time capsules. They carry the spirit of festivals, quiet mornings, generous neighbors, and shared stories. Baking them now means more than recreating a taste — it means honoring the past and passing it forward, one sweet bite at a time.

    1. Swedish Tea Ring (Vetekrans)

    Ingredients:

    • 1 packet dry yeast (2 ¼ tsp)
    • 1 cup warm milk
    • ½ cup sugar
    • ½ cup butter, melted
    • 2 eggs
    • ½ tsp salt
    • 4 cups all-purpose flour
    • Filling: ¼ cup butter, softened, ½ cup brown sugar, 1 tbsp cinnamon, ½ cup chopped almonds or raisins
    • Icing (optional): powdered sugar + milk

    Instructions:

    1. Dissolve yeast in warm milk. Let stand 5–10 minutes.
    2. Add sugar, butter, eggs, salt, and flour. Knead until smooth. Let rise 1 hour.
    3. Roll dough into a rectangle. Spread with filling. Roll up and shape into a ring.
    4. Snip the ring every 2 inches and twist slices slightly outward.
    5. Let rise 30 minutes. Bake at 375°F (190°C) for 20–25 minutes.
    6. Drizzle with icing once cooled.

    2. Easy Swedish Rusks (Skorpor)

    Ingredients:

    • 1 loaf of plain white or cardamom bread (store-bought or homemade)
    • Optional: melted butter, a sprinkle of sugar and ground cardamom

    Instructions:

    1. Preheat oven to 250°F (120°C).
    2. Slice the bread into even pieces, about ½ to ¾ inch thick.
    3. Optional: Brush each slice lightly with melted butter and sprinkle with sugar and cardamom for a sweeter, more traditional flavor.
    4. Place on a baking sheet in a single layer.
    5. Bake for 45–60 minutes, flipping halfway, until completely dry and crisp.
    6. Cool completely before storing in an airtight container.

    3. Almond Cake (Mandelkaka)

    Ingredients:

    • 1 cup sugar
    • 1 egg
    • ½ cup milk
    • 1 ½ tsp almond extract
    • 1 cup flour
    • ½ tsp baking powder
    • ½ cup butter, melted

    Instructions:

    1. Beat sugar and egg. Add milk and almond extract.
    2. Stir in flour and baking powder. Add melted butter last.
    3. Pour into greased pan (traditionally an almond cake pan or loaf).
    4. Bake at 350°F (175°C) for 40–45 minutes. Cool before serving.

    4. Rosettes (Rosettbakelser)

    Ingredients:

    • 2 eggs
    • 1 tbsp sugar
    • ¼ tsp salt
    • 1 cup milk
    • 1 cup flour
    • Oil for frying
    • Powdered sugar

    Instructions:

    1. Whisk eggs, sugar, salt, and milk. Stir in flour.
    2. Heat oil and rosette iron. Dip hot iron into batter, then into oil.
    3. Fry until golden, remove, and drain. Dust with powdered sugar.

    5. Ostkaka (Swedish Cheesecake)

    Ingredients:

    • 2 cups cottage cheese
    • 3 eggs
    • ½ cup sugar
    • ½ cup flour
    • 2 cups milk
    • ½ tsp almond extract
    • Butter for greasing

    Instructions:

    1. Blend eggs, sugar, and flour. Add cottage cheese, milk, and almond extract.
    2. Pour into greased baking dish.
    3. Bake at 325°F (160°C) for 60–75 minutes.
    4. Serve warm with lingonberries or whipped cream.